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Published to accompany a remarkable 2019 display at Tate Modern, this book will examine the full career of Hungarian artist Dora Maurer (b.1937), spanning over four decades of her experimental practice from the 1970s to the present. From her early graphic works, photographs and films, to her 'displacement' canvases and most recent large-scale paintings which explore how geometric forms are affected by colour and colour perception, this publication will reveal Maurer's persistent experimentation with production processes and her innovative take on traditional techniques. The show will introduce aspects of Maurer's early practice including graphic works, serial photographic works and structural films from the 1970s and 1980s. Maurer trained in graphic techniques, and in her graphic works she often examines the movement of markings left by different materials and production processes. Her works, be they photographs, graphic work or films, share a preoccupation with structure, relativity of perception and exploration of the medium's limits. Essay include an introductory overview by Tate curator Juliet Bingham; Klara Kemp-Welch examines Maurer's early works and pedagogical activities between 1975-7; Carly Whitefield writes on the artist's film works and the state-run Balazs Bela Studio; and David Feher surveys Maurer's practice from the 1980s to the present day.
Art, Hungarian --- 7.07 --- Maurer, Dóra °1937 (°Boedapest, Hongarije) --- Beeldende kunst ; 2de helft 20e eeuw ; D. Maurer --- Vrouwelijke kunstenaars --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Maurer, Dóra, --- Exhibitions --- Art --- Maurer, Dóra --- Maurer, Dóra
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76 <09> --- 7.07 --- 7.07 Bezigheden en activiteiten in verband met kunst --- Bezigheden en activiteiten in verband met kunst --- 76 <09> Geschiedenis van de grafische kunsten --- Geschiedenis van de grafische kunsten --- Art and society. --- Prints --- History. --- Art and society --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Social aspects --- Book history --- Graphic arts --- Printing --- Imprimerie --- Art et société --- Histoire --- Prints - History --- Illustration des livres --- Aspect social
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"This handsome book peers into Troubleyn/Laboratorium, the workspace, collective art space, and creative incubator of Belgian multidisciplinary artist Jan Fabre (b. 1958), whose performances, staged since the 1980s, have brought him international acclaim and recognition. Expressing the collective aims of Fabre&#x;s theatre company, Troubleyn/Laboratorium functions as his workspace as well as a nurturing environment for the activities of his theater company and young artists alike, in which artists are free to develop and materialize their creative impulses. The building, situated in a progressive multicultural neighborhood in northern Antwerp, houses a uniquely integrated collection of art works from international visual artists, writers, theatre makers, and philosophers, with whom Jan Fabre feels a close affinity and whose works represent the overall cooperative spirit of the space itself. Fostering an environment that is as progressive as the artist&#x;s varied oeuvre, Troubleyn/Laboratorium provides the grounds for an idealistic hotbed of artistic activity and this publication offers a glimpse of that possible utopia"--Back cover.
Artists' studios --- Art, Modern --- 7.07 --- 792.07 --- Performing arts ; dans ; theater ; contacten kunstenaars --- Fabre, Jan °1958 (°Antwerpen, België) --- Theatergezelschappen ; België ; Troubleyn/Laboratorium --- Podiumkunsten --- Contemporary art --- Modernism (Art) --- Art studios --- Artists' workshops --- Ateliers --- Studios, Artists' --- Workshops, Artists' --- Workshops --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Theaterregisseurs, scenografen A -Z --- Fabre, Jan, --- Troubleyn Laboratorium. --- Fabre, Jan --- Belgium --- Antwerp (Belgium)
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Paolozzi, Eduardo, --- Criticism and interpretation. --- 7.07 --- 73.07 --- 76.07 --- 738.07 --- Beeldende kunst ; beeldhouwkunst ; 20ste eeuw ; E. Paolozzi --- Pop-Art --- Collages --- Independent Group --- Paolozzi, Eduardo 1924-2005 (°Leith, Groot-Brittannië) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- Grafische kunst ; grafische kunstenaars A-Z --- Keramiek ; keramiekkunstenaars, pottenbakkers
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sculpting --- installations [visual works] --- motion pictures [visual works] --- photography [process] --- video art --- painting [image-making] --- Art --- Snow, Michael --- Photography --- Snow, Michael, --- 7.07 --- 791.43.07 --- 73.07 --- 77.092.07 --- 75.07 --- Beeldende kunst ; 20ste eeuw ; Michael Snow --- Experimentele film --- Installaties --- Geluidsinstallaties --- Performances --- Holografie --- Snow, Michael °1929 (°Toronto, Canada) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Filmregisseurs, acteurs, filmografen --- Beeldhouwkunst ; beeldhouwers A - Z --- Fotografen A - Z --- Schilderkunst ; schilders --- Exhibitions.
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Graphic arts --- Dada --- Painting --- dadaïsme --- Duchamp, Marcel --- Surrealism --- -Catalogues raisonnés --- Dada ; assemblages ; ready-made ; Marcel Duchamp --- Objet trouvé --- Kinetische kunst --- Conceptuele kunst --- Multipels --- Kunst ; optische effecten --- Schilderkunst ; tekeningen ; fotografie ; 20ste eeuw ; M. Duchamp --- 7.07 --- Arturo Schwarz --- kunst --- Frankrijk --- Duchamp Marcel --- surrealisme --- ready-mades --- catalogue raisonné --- 7.071 DUCHAMP --- Superrealism --- Surrealism in art --- Arts, Modern --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- -Duchamp, Marcel --- -Catalogues raisonnes. --- Criticism and interpretation --- Duchamp, Marcel 1887-1968 (°Blainville, Seine-Maritime, Frankrijk) --- Duchamp, Marcel.
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Kunsttheorie ; R. Krauss over Marcel Broodthaers --- Belgische kunstenaars --- 7.07 --- 7.01 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunst ; theorie, filosofie, esthetica --- Avant-garde (Aesthetics) --- Conceptual art --- History --- Broodthaers, Marcel --- Criticism and interpretation. --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Aesthetics --- Modernism (Art) --- Brodhers, Marsel --- ברוסהרס, מרסל
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Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge's artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge's work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works. The texts include an interview by the artist Carolyn Christov-Bakargiev, curator of the first major retrospective of Kentridge's work; an essay by Andreas Huyssen on the role of shadow-play in Kentridge's film series 9 Drawing for Projection; and investigations of Kentridge's work for opera and theater by Maria Gough, Joseph Leo Koerner, and Margaret Koster Koerner. An analysis by influential art historian Rosalind Krauss, the editor of this volume, argues that Kentridge's films are the result of a particularly reflexive drawing practice in which the marks on the page--particularly the smudges, smears, and erasures that characterize his stop-animations--define the act of drawing as a temporal medium. Krauss's understanding of Kentridge's work as embodying a fundamental tension between formal and sociological poles has been crucial to subsequent analyses of the artist's work, including the new essay by the anthropologist Rosalind Morris, who has collaborated with Kentridge on several projects" -- From the publisher.
7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kentridge, William, --- Criticism and interpretation. --- 7.01 --- 741.07 --- Beeldende kunst ; animatiefilm ; 1970-2016 ; William Kentridge --- Houtskooltekeningen --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Kunsttheorie ; teksten en essays ; October Files --- Kentridge, William °1955 (°Johannesburg, Zuid-Afrika) --- Kunst ; theorie, filosofie, esthetica --- Tekenkunst ; tekenkunstenaars A - Z --- Artists --- Video art --- Experimental films --- Attitudes --- Film d'animation --- Histoire de l'art --- Kentridge, William
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Showcasing works from all of his major series, the book surveys the full sweep of Stella's career, from his artistic beginnings in high school and college to today. The plates section comprises more than 100 works, including paintings, sculptures, reliefs, and works on paper. Notable inclusions are his seminal Black Paintings, recent high-relief aluminum works, and a selection of drawings, maquettes, and digital renderings--many of which are reproduced here for the first time--that offer fresh insight into Stella's thinking and process. Essays discuss topics such as the artist's early years at Phillips Academy in Andover and Princeton University, and his late-career architectural pieces created with the aid of computer software. An interview with Stella conducted by American painter Laura Owens allows Stella to illuminate his artistic practice in his own words. Additional resources include a chronology with extensive bibliographic and exhibition references.
preparatory studies --- Sculpture --- Painting --- mixed media --- sculpture [visual work] --- painting [image-making] --- Minimal --- Stella, Frank --- Art, American --- 7.07 --- 7.038 --- 75.07 --- 76.07 --- Beeldende kunst ; 20ste eeuw ; Frank Stella --- Hard Edge Painting --- Post-painterly abstraction --- Abstract Expressionisme ; Color Field Painting --- Stella, Frank °1936 (°(Malden (Massachusetts, Verenigde Staten) --- Tentoonstellingscatalogi ; New York ; Whitney Mus. of American Art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- Schilderkunst ; schilders --- Grafische kunst ; grafische kunstenaars A-Z --- Exhibitions --- sculpture [visual works] --- Monographie
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Grimonprez, Johan --- Hitchcock, Alfred --- film --- Grimonprez Johan --- kunst --- Hitchcock Alfred --- 791.471 GRIMONPREZ --- 7.07 --- 778.5.07 --- 741.07 --- 791.43.07 --- Videokunst ; film ; 2004 ; Johan Grimonprez --- Grimonprez, Johan °1962 (°Roeselare, België) --- Kortfilms --- Thema's in de film ; Hitchcock dubbelgangers --- Filminstallaties --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Tekenkunst ; tekenkunstenaars A - Z --- Filmregisseurs, acteurs, filmografen --- Hitchcock, Alfred Joseph --- Exhibitions --- Pinakothek der Moderne, München --- Film --- Hitchcock, Alfred (1899-1980) --- Installations (Art) --- Au cinéma
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